Photo of collection object Intensive Care — Catherine, Norman. Intensive Care, 1988. One from a series of six drypoints with watercolor additions, plate: 9 15/16 x 11 11/16" (25.2 x 29.7 cm); sheet: 26 x 19 5/8" (66 x 49.8 cm). Virginia Cowles Schroth Fund, 196.2005.1. (Photo: MoMA)

MoMA

Intensive Care

1988

Norman Catherine

South African, born 1949

Drawings & Prints

Original Source

Maker/Artist: Catherine, Norman
Classification: Print
Formatted Medium: One from a series of six drypoints with watercolor additions
Medium: from, series, drypoints, watercolor, additions
Dimensions: plate: 9 15/16 x 11 11/16" (25.2 x 29.7 cm); sheet: 26 x 19 5/8" (66 x 49.8 cm)
Departments: Drawings & Prints
Accession Number: 196.2005.1
Credit Line: Virginia Cowles Schroth Fund

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Low Flying

Low Flying

Norman Catherine

1988

MoMA

Photo of collection object Prototype

Prototype

Norman Catherine

1988

MoMA

Photo of collection object Psychoanalysed

Psychoanalysed

Norman Catherine

1988

MoMA

Photo of collection object Warlords

Warlords

Norman Catherine

1988

MoMA

Photo of collection object Witch Hunt

Witch Hunt

Norman Catherine

1988

MoMA

Photo of collection object Intensive Care, Low Flying, Prototype, Psychoanalysed, Warlords and Witch Hunt from an untitled portfolio

Intensive Care, Low Flying, Prototype, Psychoanalysed, Warlords and Witch Hunt from an untitled portfolio

Norman Catherine

1988

MoMA

Photo of collection object Green Man Salon

Green Man Salon

Norman Catherine

1990

MoMA

Photo of collection object Wild Boar

Wild Boar

Norman Catherine

1968

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected