Photo of collection object The Mill on the Naze (Le Moulin de la Naze) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales. — Vlaminck, Maurice de. The Mill on the Naze (Le Moulin de la Naze) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales., c. 1924. Lithograph from a portfolio of 16 lithographs, composition: 6 15/16 × 10 1/2" (17.6 × 26.7 cm); sheet: 10 13/16 × 14 3/8" (27.4 × 36.5 cm). Purchase Fund, 175.1949.4. (Photo: MoMA)

MoMA

The Mill on the Naze (Le Moulin de la Naze) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales.

c. 1924

Maurice de Vlaminck

French, 1876–1958

Drawings & Prints

Original Source

Maker/Artist: Vlaminck, Maurice de
Classification: Print
Formatted Medium: Lithograph from a portfolio of 16 lithographs
Medium: lithograph, from, portfolio, lithographs
Dimensions: composition: 6 15/16 × 10 1/2" (17.6 × 26.7 cm); sheet: 10 13/16 × 14 3/8" (27.4 × 36.5 cm)
Departments: Drawings & Prints
Accession Number: 175.1949.4
Credit Line: Purchase Fund
Dominant Colors

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object La Plaine de Boissy-les-perches

La Plaine de Boissy-les-perches

Maurice de Vlaminck

(1923-25, printed 1933)

MoMA

Photo of collection object Head of a Young Girl

Head of a Young Girl

Maurice de Vlaminck

c. 1912

MoMA

Photo of collection object Head of a Woman (Tête de femme)

Head of a Woman (Tête de femme)

Maurice de Vlaminck

1922

MoMA

Photo of collection object Self-Portrait

Self-Portrait

Maurice de Vlaminck

c. 1908

MoMA

Photo of collection object At the Brothel

At the Brothel

Maurice de Vlaminck

(c. 1906)

MoMA

Photo of collection object Still Life

Still Life

Maurice de Vlaminck

(1913-1914)

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected