Photo of collection object Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I — Gleizes, Albert. Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1945). One from a portfolio of sixteen screenprint reproductions, composition (irreg.): 18 1/4 × 13 3/8" (46.3 × 33.9 cm); sheet: 25 3/16 × 19 5/16" (63.9 × 49 cm). The Louis E. Stern Collection, 1106.1964.5. (Photo: MoMA)

MoMA

Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I

1953 (original executed in 1945)

Albert Gleizes

French, 1881–1953

Drawings & Prints

Original Source

Maker/Artist: Gleizes, Albert
Classification: Print
Formatted Medium: One from a portfolio of sixteen screenprint reproductions
Medium: from, portfolio, screenprint, reproductions
Dimensions: composition (irreg.): 18 1/4 × 13 3/8" (46.3 × 33.9 cm); sheet: 25 3/16 × 19 5/16" (63.9 × 49 cm)
Departments: Drawings & Prints
Accession Number: 1106.1964.5
Credit Line: The Louis E. Stern Collection
Dominant Colors

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object In-text plates (folio 10) from Poésie de mots inconnus

In-text plates (folio 10) from Poésie de mots inconnus

Albert Gleizes

1949

MoMA

Photo of collection object Houses in a Valley

Houses in a Valley

Albert Gleizes

(c. 1910)

MoMA

Photo of collection object Landscape with Bridge and Viaduct

Landscape with Bridge and Viaduct

Albert Gleizes

1910

MoMA

Photo of collection object Landscape with Chimneys

Landscape with Chimneys

Albert Gleizes

(1913)

MoMA

Photo of collection object Two Women Seated by a Window

Two Women Seated by a Window

Albert Gleizes

1914

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected