Photo of collection object Untitled from Seven Drypoints with Inkwash — Herman, Roger. Untitled from Seven Drypoints with Inkwash, 2012. One from a portfolio of seven drypoints with ink additions and chine collé, plate: 7 3/4 × 5 7/8" (19.7 × 15 cm); sheet: 15 11/16 × 13 1/16" (39.9 × 33.1 cm). Gift of Jacob and Yael Samuel in honor of Frederick Riedenschneider, 1660.2015.4. (Photo: MoMA)

MoMA

Untitled from Seven Drypoints with Inkwash

2012

Roger Herman

German, born 1947

Drawings & Prints

Original Source

Maker/Artist: Herman, Roger
Classification: Print
Formatted Medium: One from a portfolio of seven drypoints with ink additions and chine collé
Medium: from, portfolio, drypoints, ink, additions, chine, collé
Dimensions: plate: 7 3/4 × 5 7/8" (19.7 × 15 cm); sheet: 15 11/16 × 13 1/16" (39.9 × 33.1 cm)
Departments: Drawings & Prints
Accession Number: 1660.2015.4
Credit Line: Gift of Jacob and Yael Samuel in honor of Frederick Riedenschneider

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Seven Drypoints with Inkwash

Seven Drypoints with Inkwash

Roger Herman

2012

MoMA

Photo of collection object Untitled from Seven Drypoints with Inkwash

Untitled from Seven Drypoints with Inkwash

Roger Herman

2012

MoMA

Photo of collection object Untitled from Seven Drypoints with Inkwash

Untitled from Seven Drypoints with Inkwash

Roger Herman

2012

MoMA

Photo of collection object Untitled from Seven Drypoints with Inkwash

Untitled from Seven Drypoints with Inkwash

Roger Herman

2012

MoMA

Photo of collection object Untitled from Seven Drypoints with Inkwash

Untitled from Seven Drypoints with Inkwash

Roger Herman

2012

MoMA

Photo of collection object Untitled from Seven Drypoints with Inkwash

Untitled from Seven Drypoints with Inkwash

Roger Herman

2012

MoMA

Photo of collection object Untitled from Seven Drypoints with Inkwash

Untitled from Seven Drypoints with Inkwash

Roger Herman

2012

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected