Photo of collection object Human Structures and the Light of Consciousness for Obama from Artists for Obama — Borofsky, Jonathan. Human Structures and the Light of Consciousness for Obama from Artists for Obama, 2008. Screenprint from a portfolio of six lithographs (one with screenprint), three screenprints, three etchings (one with aquatint), and two drypoints with chine collé, composition: 12 11/16 x 10 1/16" (32.3 x 25.6 cm); sheet: 14 x 11 1/8" (35.5 x 28.2 cm). Acquired through the generosity of Agnes Gund, 1625.2009.2. (Photo: MoMA)

MoMA

Human Structures and the Light of Consciousness for Obama from Artists for Obama

2008

Jonathan Borofsky

American, born 1942

Drawings & Prints

Original Source

Maker/Artist: Borofsky, Jonathan
Classification: Print
Formatted Medium: Screenprint from a portfolio of six lithographs (one with screenprint), three screenprints, three etchings (one with aquatint), and two drypoints with chine collé
Medium: screenprint, from, portfolio, lithographs, screenprints, etchings, aquatint, drypoints, chine, collé
Dimensions: composition: 12 11/16 x 10 1/16" (32.3 x 25.6 cm); sheet: 14 x 11 1/8" (35.5 x 28.2 cm)
Departments: Drawings & Prints
Accession Number: 1625.2009.2
Credit Line: Acquired through the generosity of Agnes Gund

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Stick Man

Stick Man

Jonathan Borofsky

1983

MoMA

Photo of collection object Split Head with Hammering Man at 2688104

Split Head with Hammering Man at 2688104

Jonathan Borofsky

(1979-80)

MoMA

Photo of collection object Double Self-Portrait with Moving Hands at 2,626,636

Double Self-Portrait with Moving Hands at 2,626,636

Jonathan Borofsky

(1979-80)

MoMA

Photo of collection object Untitled at 2,783,195

Untitled at 2,783,195

Jonathan Borofsky

(1982)

MoMA

Photo of collection object Untitled at 2,470,364

Untitled at 2,470,364

Jonathan Borofsky

1977-78

MoMA

Photo of collection object Jonnie Hitler

Jonnie Hitler

Jonathan Borofsky

1992

MoMA

Photo of collection object Self-Portrait at 5,224,667

Self-Portrait at 5,224,667

Jonathan Borofsky

(1993)

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected