Photo of collection object Ceremonial beadwork for a Xhosa royal woman: headdress (umnqwazi), pendant, breast cover (incebetha), pair of anklets (izitsaba)
Ceremonial beadwork for a Xhosa royal woman: headdress (umnqwazi), pendant, breast cover (incebetha), pair of anklets (izitsaba), 1800s. Glass beads, sinew, hide, ceramic, Severance and Greta Millikin Trust, 2022.49. CC0.

Ceremonial beadwork for a Xhosa royal woman: headdress (umnqwazi), pendant, breast cover (incebetha), pair of anklets (izitsaba)

1800s

Maker Unknown

African Art

Ceremonial beadwork for a Xhosa royal woman: headdress (umnqwazi), pendant, breast cover (incebetha), pair of anklets (izitsaba), 1800s. Africa, Southern Africa, South Africa, Southeast Cape Region, Unknown female Xhosa-style maker(s). Glass beads, sinew, hide, ceramic; The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.49 Elite Xhosa women once wore beaded garments like this on festive occasions. Made almost completely from imported Venetian or Bohemian glass beads, they were overt status symbols. Imported beads functioned as money for the Xhosa between about 1770 and 1829. These garments’ female maker carefully selected beads of the highest quality, uniform in color, shape, and size. Made in the same shape as the pendant, a swallowtail-shaped apron (CMA 2010.206) worn under the skirt completed the ensemble. The beads to make an ensemble like this cost several cattle in the early nineteenth century, an amount most couldn't afford.
Maker/Artist
Maker Unknown
Classification
Mixed Media
Formatted Medium
Glass beads, sinew, hide, ceramic
Departments
African Art
Accession Number
2022.49
Credit Line
Severance and Greta Millikin Trust
Rights Statement
CC0

Have a concern, a correction, or something to add?

Similar Artworks

musefully

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected