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Fred Carlo. Tool Shed, 1939. linocut, Platemark: 23 x 27.5 cm (9 1/16 x 10 13/16 in.); Sheet: 30.5 x 34.9 cm (12 x 13 3/4 in.). Severance and Greta Millikin Trust, 2022.52. Copyrighted.

Tool Shed

1939

Fred Carlo

Fred Carlo (American, 1911–1987)

Prints

Tool Shed, 1939. Fred Carlo (American, 1911–1987). Linocut; platemark: 23 x 27.5 cm (9 1/16 x 10 13/16 in.); sheet: 30.5 x 34.9 cm (12 x 13 3/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.52 This linocut was created by Fred Carlo while he was involved in the printmaking workshop at Karamu House, a community art center founded in 1915 that is still active in Cleveland today. Created by carving into a smooth linoleum block, linocut is an accessible technique that was favored at Karamu for its accessibility and democracy. Carlo used it to create evocatively depict the lives of Black Clevelanders—here, as he described, a view “from a neighbor’s back porch.” This print was included in a 1942 exhibition of Karamu House artists organized at New York’s Associated American Artists Galleries and sponsored by a committee including cultural figures such as Langston Hughes, Alain Locke, and Carl Van Vechten. The show traveled to Philadelphia’s Temple University and brought national attention to the Karamu House printmaking workshop.
Maker/Artist
Fred Carlo
Classification
Print
Formatted Medium
linocut
Medium
linocut
Dimensions
Platemark: 23 x 27.5 cm (9 1/16 x 10 13/16 in.); Sheet: 30.5 x 34.9 cm (12 x 13 3/4 in.)
Inscribed
Inscription: Inscribed, lower left, in pencil: 1/30 TOOL SHED Inscription: signed and inscribed, lower right, in pencil: F. Carlo / 39 Inscription: Typed on card attached to original mount: TOOL SHACK / I saw this from a neighbor’s back porch. / The bright sunlight was making an inter- / esting pattern because of the contrast / between the shadows and the brilliant / light. / Fred Carlo
Departments
Prints
Accession Number
2022.52
Credit Line
Severance and Greta Millikin Trust
Rights Statement
Copyrighted

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