White-Robed Guanyin
late 1200s–early 1300s
Jueji Yongzhong
Jueji Yongzhong (Chinese, active around 1300)
Chinese Art
White-Robed Guanyin, late 1200s–early 1300s. Jueji Yongzhong (Chinese, active around 1300), inscribed by Zhongfeng Mingben (Chinese, 1263–1323). Hanging scroll; ink on paper; painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1978.47.1
- Maker/Artist
- Jueji Yongzhong
- Classification
- Painting
- Formatted Medium
- hanging scroll; ink on paper
- Dimensions
- Painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); Overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.)
- Inscribed
- Inscription: Artist's signature: Huanzhu Yongzhong. Inscription by Zhongfeng Mingben: The right thinking [Samkalpa] is embodied within His deep meditation on the Buddha [naga-samadhi]. Retaining not even one single object of thought, A perfect harmony was wonderfully achieved. In the endless time and space, His all-embracing compassion prevails. [signed] Mingben of Huanzhu paying his respects.
- Departments
- Chinese Art
- Accession Number
- 1978.47.1
- Credit Line
- Purchase from the J. H. Wade Fund
- Exhibitions
- Eight Dynasties of Chinese Painting, Highlights of Asian Paintings from The Cleveland Museum of Art, Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c, <em>Kannon no kaiga: sono bi to rekishi [</em>觀音の繪畫]. Yamato Bunkakan, Kyoto, Japan (April 25-May 26, 1974)., <em>Main Asian Rotation (Gallery 119)</em>. The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).
- Rights Statement
- CC0
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