Photo of collection object Jain Ascetic Walking Along a Riverbank — Basawan. Jain Ascetic Walking Along a Riverbank, c. 1600. gum tempera, ink, and gold on paper, Severance and Greta Millikin Collection, 1967.244. cc0.

Jain Ascetic Walking Along a Riverbank

c. 1600

Basavana

Basavana (Indian, active c. 1560–1600)

Indian and Southeast Asian Art

Original Source

Maker/Artist: Basawan
Classification: Painting
Formatted Medium: gum tempera, ink, and gold on paper
Medium: Gum tempera, Ink, Gold on paper
Locations: : Mughal India, : court of Akbar
Period: Court of Akbar
Departments: Indian and Southeast Asian Art
Accession Number: 1967.244
Credit Line: Severance and Greta Millikin Collection
Rights Statement: cc0
Dominant Colors

Have a concern, a correction, or something to add?

Similar Artworks

Photo of collection object The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318)

The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318)

Basavana

c. 1596

Photo of collection object The siege of Arbela in the era of Hulagu Khan, page from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian,1247–1318)

The siege of Arbela in the era of Hulagu Khan, page from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian,1247–1318)

Basavana

c. 1596

Photo of collection object The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night

The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night

Basavana

c. 1560

Photo of collection object The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basawan

c. 1560

Photo of collection object The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basavana

c. 1560

Photo of collection object Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page

Basavana

c. 1560

Photo of collection object Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page

Basavana

c. 1560

Photo of collection object The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basavana

c. 1560

Photo of collection object A mendicant bowing before a holy man, from the Prince Salim Album

A mendicant bowing before a holy man, from the Prince Salim Album

Basavana

c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900s

Photo of collection object A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur)

A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur)

Basavana

c. 1589; outer margins added c. mid-1900s

Photo of collection object Akbar

Akbar

Basawan

ca. 1590-95

Photo of collection object Akbar

Akbar

Basawan

ca. 1590-95

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected