Photo of collection object Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine
Second Master of the Wettinger Gradual. Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine, c. 1330. ink, tempera, and gold on parchment, Sheet: 57.9 x 38.3 cm (22 13/16 x 15 1/16 in.); Framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); Matted: 71.1 x 55.9 cm (28 x 22 in.). Mr. and Mrs. William H. Marlatt Fund, 1949.203. CC0.

Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine

c. 1330

Second Master of the Wettinger Gradual

Second Master of the Wettinger Gradual (German)

Medieval Art

Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine, c. 1330. Second Master of the Wettinger Gradual (German). Ink, tempera, and gold on parchment; sheet: 57.9 x 38.3 cm (22 13/16 x 15 1/16 in.); framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); matted: 71.1 x 55.9 cm (28 x 22 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1949.203 This imposing leaf comes from the monumental Wettinger Gradual preserved in the Canton Library in Aarau, Switzerland. The focus of the decoration consists of a single massive initial I. It is constructed with four separate compartments featuring scenes from the life of Saint Augustine. The compartments read (from top to bottom): Augustine teaching before his conversion; the dream of Augustine’s mother; Augustine’s baptism; and Augustine teaching monks. The monk in the lower margin holds a scroll that reads in Latin: “Pray for us, blessed Father Augustine.” The initial would have introduced the feast of Saint Augustine (August 28) in the Sanctorale: In medio Ecclesiae aperuit os eius (“And in the midst of the church she shall open his mouth”). Given the prominence of this initial within the gradual, and the depiction of an Augustinian canon in the lower marginal extender, the manuscript was likely produced for a community of Augustinians.

Influenced by Parisian manuscript painting, the illuminators added tendril extenders supporting birds, animals, and, below, an Augustinian monk in prayer. Though nothing is known of their lives or careers, both artists have working styles related to Colognese manuscript and panel painting. It is probable that this leaf, and the parent codex from which it comes, would have originally belonged to an Augustinian religious foundation in Cologne.
Classification
Manuscript
Formatted Medium
ink, tempera, and gold on parchment
Dimensions
Sheet: 57.9 x 38.3 cm (22 13/16 x 15 1/16 in.); Framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); Matted: 71.1 x 55.9 cm (28 x 22 in.)
Departments
Medieval Art
Accession Number
1949.203
Credit Line
Mr. and Mrs. William H. Marlatt Fund
Exhibitions
Pages From Medieval and Renaissance Illuminated Manuscripts, Transformations of the Court Style: Gothic Art in Europe, 1270 - 1330, The Decorated Letter and the Illuminator's Art, Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art, The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection, Visions of the Divine: Textiles and Manuscripts from Medieval Germany (Manuscript and Textile Rotation) - Gallery 115, Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800-1500, The Toledo Museum of Art: "Medieval and Renaissance Music Manuscripts" January-February, 1953, no. 41.<br>Buffalo, The Albright Art Gallery: "Art in the Book" 12/5/1953-1/03/1954, no. 30.<br>Cleveland, Severance Hall, "Manuscripts" December, 1957.<br>Columbus, Ohio State University: "Aspects of Medieval Art" (Medieval Conference) October 31-November 22, 1958, no. 7.<br>Berkely, University Art Gallery: "Illuminated Manuscript Pages" April 26-June 8, 1963, cat. no. 13, repr, pl. XIII. <br>Providence, Rhode Island School of Design (organized by Brown University), "Transformations in Gothic Style ca. 1300" February 2-February 27, 1977 <br>Cleveland Museum of Art, "The Decorated Letter and the Illuminator's Art" September 25-December 19, 1993.<br>Bavarian Nationalmuseum, Munich (5/10/2007 - 9/16/2007), the J. Paul Getty Musuem, Los Angeles (10/30/2007 - 1/20/2008) and Frist Center for the Visual Arts, Nashville, TN (2/13/2009 - 6/7/2009): "Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art", Cleveland Museum of Art, (11/06/2010 - 04/17/2011); "The Glory Of the Painted Page: Manuscript Illuminations from the Permanent Collections"
Rights Statement
CC0

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