Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine
c. 1330
Second Master of the Wettinger Gradual
Second Master of the Wettinger Gradual (German)
Medieval Art
Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine, c. 1330. Second Master of the Wettinger Gradual (German). Ink, tempera, and gold on parchment; sheet: 57.9 x 38.3 cm (22 13/16 x 15 1/16 in.); framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); matted: 71.1 x 55.9 cm (28 x 22 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1949.203 This imposing leaf comes from the monumental Wettinger Gradual preserved in the Canton Library in Aarau, Switzerland. The focus of the decoration consists of a single massive initial I. It is constructed with four separate compartments featuring scenes from the life of Saint Augustine. The compartments read (from top to bottom): Augustine teaching before his conversion; the dream of Augustine’s mother; Augustine’s baptism; and Augustine teaching monks. The monk in the lower margin holds a scroll that reads in Latin: “Pray for us, blessed Father Augustine.” The initial would have introduced the feast of Saint Augustine (August 28) in the Sanctorale: In medio Ecclesiae aperuit os eius (“And in the midst of the church she shall open his mouth”). Given the prominence of this initial within the gradual, and the depiction of an Augustinian canon in the lower marginal extender, the manuscript was likely produced for a community of Augustinians.
Influenced by Parisian manuscript painting, the illuminators added tendril extenders supporting birds, animals, and, below, an Augustinian monk in prayer. Though nothing is known of their lives or careers, both artists have working styles related to Colognese manuscript and panel painting. It is probable that this leaf, and the parent codex from which it comes, would have originally belonged to an Augustinian religious foundation in Cologne.
Influenced by Parisian manuscript painting, the illuminators added tendril extenders supporting birds, animals, and, below, an Augustinian monk in prayer. Though nothing is known of their lives or careers, both artists have working styles related to Colognese manuscript and panel painting. It is probable that this leaf, and the parent codex from which it comes, would have originally belonged to an Augustinian religious foundation in Cologne.
- Maker/Artist
- Second Master of the Wettinger Gradual
- Classification
- Manuscript
- Formatted Medium
- ink, tempera, and gold on parchment
- Dimensions
- Sheet: 57.9 x 38.3 cm (22 13/16 x 15 1/16 in.); Framed: 61.6 x 76.8 cm (24 1/4 x 30 1/4 in.); Matted: 71.1 x 55.9 cm (28 x 22 in.)
- Departments
- Medieval Art
- Accession Number
- 1949.203
- Credit Line
- Mr. and Mrs. William H. Marlatt Fund
- Exhibitions
- Pages From Medieval and Renaissance Illuminated Manuscripts, Transformations of the Court Style: Gothic Art in Europe, 1270 - 1330, The Decorated Letter and the Illuminator's Art, Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art, The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection, Visions of the Divine: Textiles and Manuscripts from Medieval Germany (Manuscript and Textile Rotation) - Gallery 115, Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800-1500, The Toledo Museum of Art: "Medieval and Renaissance Music Manuscripts" January-February, 1953, no. 41.<br>Buffalo, The Albright Art Gallery: "Art in the Book" 12/5/1953-1/03/1954, no. 30.<br>Cleveland, Severance Hall, "Manuscripts" December, 1957.<br>Columbus, Ohio State University: "Aspects of Medieval Art" (Medieval Conference) October 31-November 22, 1958, no. 7.<br>Berkely, University Art Gallery: "Illuminated Manuscript Pages" April 26-June 8, 1963, cat. no. 13, repr, pl. XIII. <br>Providence, Rhode Island School of Design (organized by Brown University), "Transformations in Gothic Style ca. 1300" February 2-February 27, 1977 <br>Cleveland Museum of Art, "The Decorated Letter and the Illuminator's Art" September 25-December 19, 1993.<br>Bavarian Nationalmuseum, Munich (5/10/2007 - 9/16/2007), the J. Paul Getty Musuem, Los Angeles (10/30/2007 - 1/20/2008) and Frist Center for the Visual Arts, Nashville, TN (2/13/2009 - 6/7/2009): "Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art", Cleveland Museum of Art, (11/06/2010 - 04/17/2011); "The Glory Of the Painted Page: Manuscript Illuminations from the Permanent Collections"
- Rights Statement
- CC0
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