Photo of collection object White Crown as Amulet
White Crown as Amulet, ca. 664-30 B.C.E.. Faience, 1 1/16 x 7/16 in. (2.7 x 1.1 cm). Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father Charles Edwin Wilbour, 16.580.51. Creative Commons-BY.

White Crown as Amulet

ca. 664-30 B.C.E.

Maker Unknown

Egyptian, Classical, Ancient Near Eastern Art

Living persons wore only one or a few amulets at a time, but mummies usually bear many amulets. The Ma’at amulet (no. 2) and heart scarabs (nos. 1, 3, 11), which occurred in many forms, guaranteed a successful judgment of the dead. The amulets of a hand (no. 8), lungs and a windpipe (no. 12), and wadjet-eyes (i.e., “healthy” eyes; no. 4) protected those parts of the body and also had connotations of resurrection and the unity or integrity of the mummy. The enigmatic aper amulet (no. 13) takes the form of the hieroglyph meaning “to be equipped,” perhaps in reference to the mummy’s preparation. The two crowns (nos. 5, 6) were symbols of power. The Heh insignia (no. 7), like the popular ankh-sign, denoted eternal life. Among the living, the frog (no. 9) and possibly also the hare (no. 10) suggested fertility. The amulets of the Four Sons of Horus (no. 15) perhaps served, as they did with canopic jars, to protect various organs of the body.
Maker/Artist
Maker Unknown
Classification
Accessory
Formatted Medium
Faience
Medium
faience
Locations
Place made: Egypt
Dimensions
1 1/16 x 7/16 in. (2.7 x 1.1 cm)
Accession Number
16.580.51
Credit Line
Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father Charles Edwin Wilbour
Rights Statement
Creative Commons-BY
Dominant Colors

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